“You’re gonna hear the new style now: this isn’t Rakeem, it’s RZA, the RZArector!”Īdding technical audio support to this new Wu-Tang style was a wave of engineers that had found their way to Firehouse. “We’re gonna show everyone they were wrong,” Vazan recalls RZA telling him. The deals went sour and they were dropped, but the rejection prompted the formation of the Wu-Tang Clan. RZA and GZA (then recording as Prince Rakeem and the Genius) also cut solo demos at the Firehouse which scored them record deals with Tommy Boy and Cold Chillin’. The spot wound up attracting a hip-hop clientele key late ’80s and early ’90s artists like the Audio Two, MC Lyte, Das-EFX and Guru passed through the vocal booth. He opened the studio in 1988 and sought to drum up business via adverts placed in the Village Voice. Originally situated in an old fire station on Dean Street in Brooklyn before later moving to Manhattan, it was owned and run by the engineer Yoram Vazan. True to RZA’s vision, the Wu’s lo-fi production was coated with a grimy and grungy patina that would become the clique’s calling card – and this texture was facilitated by a team of up-and-coming engineers working out of a small studio called the Firehouse. As RZA told Hip-Hop Connection magazine back in 2006, “You had Snoop and Dre dominating with this really low and funky but powerful bass sound, so I wanted to show them how New York bass did it, that really gritty bass sound – and make it louder! I wanted things to be tough from the very beginning right to the end.” Dre had formulated in Los Angeles and taken into the mainstream. Released in 1993, Enter the Wu-Tang (36 Chambers) resonated like a rugged New York City response to the slick and melodic g-funk sound that Dr. Method’s cadence and content on the hook proves why this is one of the most referenced Hip-Hop hooks of all time.The Wu-Tang Clan’s debut album changed the sound of hip-hop. The verses work hand-in-hand with Method Man’s infectious hook, “Cash rules everything around meĭollar dollar bill, y’all ” - Wu-Tang Clan - C.R.E.A.M The beat’s dark nature compliments the lyricism along with the cadence and the aggressive style of delivery throughout. His rhyme scheme is filled with internal rhyme as he speaks about his depression. Inspectah Deck begins the second verse on a sinuous cadence as he rhymes fiercely. The raw nature of cadence, flow and delivery style compliments the instrumental perfectly. Raekwon’s verse is touching as he rhymes of his struggles growing up with an aggressive delivery. They reference sociopolitical situations that they faced while ultimately expressing one point: if you don’t have money, you can’t live your life. On a cool beat, members of the Wu-Tang rhyme intricately. It’s hard to improve on already classic sample but as the pioneer of the chipmunk soul technique, GZA gives a great illustration of incredible production. The song samples The Carmels, “As Long As I’ve Got You”, which was also produced by the legendary, Isaac Hayes. “C.R.E.A.M (Cash Rules Everything Around Me)” is the one of RZA’s finest productions. On their generation defining album, Enter The Wu-Tang (36 Chambers), Wu-Tang Clan had many memorable moments on a classic album, however, none resonates more than C.R.E.A.M.
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